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・ Samuel B. Stanchfield
・ Samuel B. Stauber Farm
・ Samuel B. Thomsen
・ Samuel B. Wilson
・ Samuel Bache
・ Samuel Backhouse
・ Samuel Allsopp, 2nd Baron Hindlip
・ Samuel Allyne Otis
・ Samuel Almeida Camazzola
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・ Samuel Amess
・ Samuel Amirtham
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Samuel Amsler
・ Samuel Ancell
・ Samuel and Bella Spewack
・ Samuel and Elbert Jackson House
・ Samuel and Geneva Holt Farmstead
・ Samuel and Harriet Burrows House
・ Samuel and Johanna Jones Farm
・ Samuel and Minette Kuhn House
・ Samuel and Nathaniel Buck
・ Samuel and Sally Wilson House
・ Samuel Anderson
・ Samuel Anderson (actor)
・ Samuel Anderson (athlete)
・ Samuel Anderson (politician)
・ Samuel Anderson Architects


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Samuel Amsler : ウィキペディア英語版
Samuel Amsler

Samuel Amsler (17 December 1791 - 18 May 1849), Swiss engraver, was born at Schinznach, in the canton of Aargau. He studied his art under Johan Heinrich Lips (1758–1817) and Karl Ernst Hess, at Munich, and from 1816 pursued it in Italy, and chiefly at Rome, till in 1829 he succeeded his former master Hess as professor of engraving in the Munich academy. The works he designed and engraved are remarkable for the grace of the figures, and for the wonderful skill with which he retains and expresses the characteristics of the original paintings and statues. He was a passionate admirer of Raphael, and had great success in reproducing his works. Amsler's principal engravings are: ''The Triumphal March of Alexander the Great'', and a full-length ''Christ'', after the sculptures of Thorwaldsen and Dannecker; the ''Entombment of Christ'', and two ''Madonnas'' after Raphael; and the ''Union between Religion and the Arts'', after Overbeck, his last work, on which he spent six years.
==Notes==


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